Superfantastic 'Inglourious Basterds' Review at The Auteurs

Fairy tale from the start, complete with a little big bad wolf (or hawk, as it is) sent to blow a house down, Quentin Tarantino’s Inglourious Basterds is, as should be expected, of the Grimm lineage: crass and bloody and tragic and funny, at most events twisted. It opens with a smack-you-scatty pointer title card, “Once Upon a Time In Nazi-Occupied France,” to tell us Tarantino sees World War II as just another Leone epic, maybe, with better dialog; another vaguely cartoon setting to pile on film references and cruelty, with little regard for real world historical accuracy. Our auteurist auteur favors the faith that the cinema is its own history. —Ryland Walker Knight

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